Memorable Movie Mumblings

/ Memorable Movie Mumblings #141  
I like The French Connection and Casablanca but they have little to do with my lifes experiences.

That was the draw for most of us; movies like Gone With the Wind, The Treasure of the Sierra Madre, River of no Return, Blood on the Sun, etc. were so different from our everyday life the it was exciting to experience these things in a movie. I will say that all of these movies were more or less out-dorsey, rural settings, as opposed to the gangster movies, but we liked Edward G. also. Oh, I forgot. Although I had ridden on an elephant, I had never ridden on a horse...but I liked Roy and Dale, Gene and Smiley and Lash La Rue!
 
/ Memorable Movie Mumblings #142  
"I'll be back."
H. G. Wells - The Time Machine 1960

Some other hack may have also used that line.
 
/ Memorable Movie Mumblings #143  
The old black and white movies relied on storytelling and cinematography as opposed to car wrecks and improbable storylines. Watch an old B&W like Casablanca and all the characters in the background are interacting and part of the whole scene. Everyone is behaving in a way that tells the story. Even the scenery tells story. The sound of the airplane getting ready, the sound of the rainfall or wind. It's all there. Watch the bar scenes and everyone is involved. You can almost understand the movie without the sound on.

An example that comes to mind is from Godfather-I when the godfather is in a deep potentially confrontational conversation with a adversary boss. During a tense pause, Brando reaches over, invades the other guy's space if you will, which is an implied threat and picks some lint off the guy's suit. No words, just storyline and a reason why the movie was so great. Anyway, that's my take.
 
/ Memorable Movie Mumblings #144  
The old black and white movies relied on storytelling and cinematography as opposed to car wrecks and improbable storylines. Watch an old B&W like Casablanca and all the characters in the background are interacting and part of the whole scene. Everyone is behaving in a way that tells the story. Even the scenery tells story. The sound of the airplane getting ready, the sound of the rainfall or wind. It's all there. Watch the bar scenes and everyone is involved. You can almost understand the movie without the sound on.

An example that comes to mind is from Godfather-I when the godfather is in a deep potentially confrontational conversation with a adversary boss. During a tense pause, Brando reaches over, invades the other guy's space if you will, which is an implied threat and picks some lint off the guy's suit. No words, just storyline and a reason why the movie was so great. Anyway, that's my take.

Good point. Character development used to be a big part of a successful story (read "movie"); like Casablanca, you knew each of the main characters very well...and other great movies the same. That's one of the things that I liked about Treasure of the Sierra Madre...and GWTW for another.
 
/ Memorable Movie Mumblings #145  
"I'll be back."
H. G. Wells - The Time Machine 1960

Some other hack may have also used that line.

"I'm baaack!" (lots of movies, including the Shining) "Here's Johnny!"
 
/ Memorable Movie Mumblings #146  
"You have meddled with the primal forces of nature, Mr Beal, and I wont have it! Is that clear!" - Network. :)
 
/ Memorable Movie Mumblings #147  
"I'll be back."
H. G. Wells - The Time Machine 1960

Some other hack may have also used that line.

Yeah... and to great effect I may add. :)
 
/ Memorable Movie Mumblings #148  
The old black and white movies relied on storytelling and cinematography as opposed to car wrecks and improbable storylines. Watch an old B&W like Casablanca and all the characters in the background are interacting and part of the whole scene. Everyone is behaving in a way that tells the story. Even the scenery tells story. The sound of the airplane getting ready, the sound of the rainfall or wind. It's all there. Watch the bar scenes and everyone is involved. You can almost understand the movie without the sound on.

An example that comes to mind is from Godfather-I when the godfather is in a deep potentially confrontational conversation with a adversary boss. During a tense pause, Brando reaches over, invades the other guy's space if you will, which is an implied threat and picks some lint off the guy's suit. No words, just storyline and a reason why the movie was so great. Anyway, that's my take.

You make a very astute observation.
 
/ Memorable Movie Mumblings
  • Thread Starter
#149  
King Arthur: You've got no arms left.
Black Knight: Yes I have.
King Arthur: Look!
Black Knight: It's just a flesh wound.

- Monty Python and the Holy Grail
 
/ Memorable Movie Mumblings #150  
I'm invincible!!! [black knight] Your a looney {king arther}.:drink:
 
/ Memorable Movie Mumblings #151  
I like you. I'm going to kill you last.

Arnold Schwarzenegger - Commando
 
/ Memorable Movie Mumblings #153  
The early worm gets the bird.

(Undertaker humor from The Shootist.)
 
/ Memorable Movie Mumblings #155  
If you're not happy without it, you'll never be happy with it.

John Candy
 
/ Memorable Movie Mumblings #156  
"Here's Johnny!" Jack Nicholas, The Shining
 
/ Memorable Movie Mumblings
  • Thread Starter
#158  
Elaine Dickinson:
There's no reason to become alarmed, and we hope you'll enjoy the rest of your flight. By the way, is there anyone on board who knows how to fly a plane?
 
/ Memorable Movie Mumblings
  • Thread Starter
#159  
And at the other end of the spectrum:

Cockpit qualified young man: Mr. Patroni? Don't you hear him? Shut down.

Joe Patroni: I can't hear a thing. There's too much noise. Hold on. We're GOIN FOR BROKE!

Cockpit qualified young man: [after the plane gets out of the ditch] The instruction book said that was impossible.

Joe Patroni: That's one nice thing about the 707. It can do everything BUT read.


Also:

Capt. Benson: Full throttle and this plane would be standing on its nose.

Joe Patroni: You might fly these things but I take them apart and put them back together again. If you had any guts we'd be on the runway by now.

Capt. Benson: You felt it vibrating? Another 10 seconds and we'd have had structural damage.

Joe Patroni: Who do ya think you're talking to, some kid that fixes bicycles? I know every inch of the 707! Take the wings off this and you could use it as a TANK! This plane is built to withstand anything... except a bad pilot.

Capt. Benson: You might tell your mechanic that I've got three million miles in the air.

Joe Patroni: And two and a half feet into the ground
 
/ Memorable Movie Mumblings #160  
George Kennedy = over acting ham...!
 

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